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- <text id=93TT1454>
- <title>
- Apr. 19, 1993: Died:Marian Anderson
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Apr. 19, 1993 Los Angeles
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- MILESTONES, Page 24
- MARIAN ANDERSON
- </hdr>
- <body>
- <p> 1897 - 1993
- </p>
- <p> She leaves behind a profusion of memories: of the racial and
- cultural barriers she transcended, her serenity and generosity
- of spirit and above all the divine contralto voice whose range
- and texture achieved the sonic equivalent of radiance.
- </p>
- <p> Shut out by Jim Crow laws from performing on the American
- operatic stage, Anderson began touring Europe in the 1920s,
- drawing vast acclaim and moving deeply all who felt the powerful
- magnetism of her art. After Anderson was barred in 1939 from
- singing in Washington's segregated Constitution Hall, Eleanor
- Roosevelt intervened and arranged for her to perform at the
- Lincoln Memorial. Ever reserved, Anderson uttered no complaint.
- When 75,000 blacks and whites assembled at the foot of Lincoln's
- statue on Easter 1939, they came not just to hear the glorious
- register of Anderson's voice but also to witness a force that
- was quietly conquering color boundaries. Her grace under stress
- conveyed to all Americans a message that blacks had a profound
- contribution to make to America's cultural life--an expression
- of moral force that flowed on to connect with Martin Luther King
- in the 1960s.
- </p>
- <p> Anderson first began singing at age six, learning
- spirituals at the Union Baptist Church in her hometown of
- Philadelphia. Her personal fortitude grew out of her faith. "The
- treasure of religion helps one to face the difficulties one
- sometimes meets," she allowed. Traveling the country, usually
- carrying her own bags and ironing her own clothes, she sang with
- a passion drawn from the burdens she had carried. Because of her
- color, she was usually forced to enter concert halls and hotels
- through service entrances. She never sought her lasting place
- in America's struggle over race relations, yet she did not shirk
- its weight. When she died last week, her fame was long assured.
- Whether as the first black singer to perform in the White House
- (1939), or as the first black to sing in New York's Metropolitan
- Opera (1955), she never raised her voice except in song. And
- when she sang, the walls came tumbling down.
- </p>
-
- </body>
- </article>
- </text>
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